{"id":83,"date":"2020-04-21T23:43:52","date_gmt":"2020-04-21T21:43:52","guid":{"rendered":"https:\/\/jeanjacquesmandel.com\/?post_type=collection&#038;p=83"},"modified":"2020-04-30T22:27:29","modified_gmt":"2020-04-30T20:27:29","slug":"laurent-guerly","status":"publish","type":"collection","link":"https:\/\/jeanjacquesmandel.com\/fr\/collection\/laurent-guerly\/","title":{"rendered":"LAURENT GUERLY"},"content":{"rendered":"<p>[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text css=\u00a0\u00bb.vc_custom_1587505351863{margin-bottom: 40px !important;}\u00a0\u00bb]ARTISTE : Laurent GUERLY, 1983<br \/>\nPAYS : HA\u00ceTI<br \/>\nMATERIAUX : Cr\u00e2ne, plastique, cellulo\u00efde, m\u00e9tal<br \/>\nDIMENSION : H 85 cm<br \/>\nDATATION ESTIM\u00c9E : 2\u00e8me moiti\u00e9 XXe s<\/p>\n<p>BIBLIOGRAPHIE : \u00ab IN EXTREMIS &#8211; Death and Life in the 21st-Century Ha\u00eftian Art \u00bb catalogue expo FOWLER MUSEUM AT UCLA<br \/>\nLos Angeles, page 108<br \/>\nPROVENANCE : Reynald Lally<br \/>\nCollection Jean-Jacques MANDEL<br \/>\nInv : GJJM 0162[\/vc_column_text][vc_column_text]Laurent Guerly est n\u00e9 \u00e0 Port au Prince en 1983 il fait partie des sculpteurs de la Grand Rue et de la Rue du Magasin de l\u2019Etat, une friche squatt\u00e9e dans les ruines du quartier du bas de la ville d\u00e9truit par le tremblement de terre de janvier 2010. Un groupe connu d\u00e9sormais sous le nom d\u2019<em>Atis Rezistans .<\/em><\/p>\n<p>Leur terrain d\u2019inspiration, n\u00e9 de la violence end\u00e9mique du pays conjugu\u00e9 aux s\u00e9quelles du s\u00e9isme qui a tu\u00e9 plus de 250000 habitants de la ville, est marqu\u00e9 par la mythologie vodou \u00ab Baron Samedi \u00bb et son arm\u00e9e de \u00ab Gu\u00e9d\u00e9s \u00bb et ils int\u00e8grent dans leur \u0153uvres des mat\u00e9riaux et des sujets jusque l\u00e0 tabous. Des cr\u00e2nes et des os humains fraichement mis a jours dans l\u2019effondrement des cimeti\u00e8res voisinent des repr\u00e9sentations de clitoris, de sexes, de corps d\u2019animaux et de plein de \u00ab fatras \u00bb li\u00e9 \u00e0 la mort m\u00e9dicale sortis des ruines des h\u00f4pitaux et cliniques d\u00e9vast\u00e9s.<\/p>\n<p>Andr\u00e9 Eugene, Gyodo et leurs \u00ab \u00e9l\u00e8ves \u00bb comme Laurent Guerly sont les leaders de ce mouvement qui a su \u00e9laborer les traces de la violence encore palpables en un art urbain vodouisant reconnu internationalement, renvoyant aux oubliettes, provisoirement du moins, les artisans du \u00ab merveilleux ha\u00eftien \u00bb, peintre paysans ou ferronniers vodou qui ont fait la c\u00e9l\u00e9brit\u00e9 d\u2019un art dit \u00ab na\u00eff \u00bb et la r\u00e9putation de la cr\u00e9ation artistique du Pays.<\/p>\n<p>La Biennale de Los Angeles organis\u00e9e en 2013 par le Fowler Museum de UCLA a hiss\u00e9 ces nouveaux artistes au nouveau panth\u00e9on de l\u2019art ha\u00eftien.<\/p>\n<p>Comme en t\u00e9moigne \u00ab\u00a0Dambala\u00a0\u00bb l\u2019\u0153uvre pr\u00e9sent\u00e9e \u00e0 cette occasion par Laurent Guerly (Personnage \u00e0 cr\u00e2ne humain et couleuvre bleue lui traversant le corps) ainsi que les dessins originaux ci joints sont un bon exemple du style vodou\/flamboyant de la nouvelle g\u00e9n\u00e9ration post \u00ab\u00a0earthquake\u00a0\u00bb.[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]\n\t\t \t<div class=\"item\" style=\"padding:    ;\">            \n\t      <div class=\"clearfix\" >\n\n\t        <ul id=\"gwts-gwl-img-gallery77\" class=\"gwts-gwl-slidergal list-unstyled cS-hidden\" data-litebx=\"false\">\n\t\t\t\t    \n\t\t\t\t\t \t\t<li data-thumb=\"https:\/\/jeanjacquesmandel.com\/wp-content\/uploads\/2020\/04\/4-4-Laurent-Guerly-150x150.jpg\" 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